a striking piece
of box elder (with a L. A. Cude lacquer finish). He helped L.A and Jimmie
Weir acquire a big log from near lake travis that was amazing and they gave
him the wood. Roger Arnold brought a hackberry vessel that, with its many
cracks, punky wood, voids and worm-holes, gave him a tussle. Vern Hallmark
showed a platter and a nice box of box elder that had an inlayed cherry top
and bottom to prove that it is not only the skill of the individual
but also the ability to correct problems that makes a turner. Some wag
said it was because the only tool he ever used was a parting tool.
was full of voids that made it hard to get through. George Taylor showed two similar elm bowls that he wanted to demonstrate the use of oil and film type finishes. George also showed a small bowl and three tops that he got from Goeff Whaling of Australia (see the American Woodturner, August 2012, page 27) at an interest group of AAW that they both shared. The technique used by both is called linear segmenting in which a solid block is formed by segments and then turned as a whole block.
Ken Morton brought a cherry bowl and myrtle box
from the same holey myrtle he had last meeting. He also showed a very nice
natural edged myrtle bowl. Finally he showed a failure bowl but one that was
a core from the same block of wood that formed the larger bowl. He presented
the straight coring bar that he got from Johannes Michelson at swat and
showed it with the ‘failed’ bowl and the core that was left. Ken speaks well
of the hand held bar and notes it has a diamond shaped carbide insert at the
point that does all the work.